Charlotte Wielage
Münster, Germany
+49 (0) 171 6424 197
Current
January 2021
solo exhibition
"Spektrum", lightinstallation, Die Sophie, Münster
January 2020
group exhibition
"seeherplay", FB69 Gallery, Münster
February – May 2019
solo exhibition
"Spektrum", FB69 Gallery, Münster
2018
solo exhibition
"Spektrum", Galerie Kleefeld, Hamburg
2017 - 2018
group exhibition
"Look up to the Sky and see", FB69 Gallery, Münster
"Vagina outta space" 3x 50cm x 70cm
Charlotte Wielage, born in Lingen (Ems) in 1988, is a graduate designer (Dipl. Designer) who has studied and worked in Bielefeld, Darmstadt, Kauaʻi (Hawaii), The Hague (Netherland) and Hamburg.
In oil painting, glazing is a classic technique to give images transparency and depth. Here, color is applied layer by layer. The Spektrum series reinterprets this traditional style of painting, which uses industrially manufactured, everyday and non-art materials such as tape and felt-tip pens. As with the glaze, a painted adhesive tape was applied strip by strip, parallel, crossed, past each other, aptly. The layering creates new colors and depths at the nodes as well as small bubbles under the adhesive strips. This gives the picture a luminous and haptic dimension – the surface becomes plastic.
Charlotte Wielage
Münster, Germany
+49 (0) 171 6424 197
Current
January 2021
solo exhibition
"Spektrum", lightinstallation, Die Sophie, Münster
January 2020
group exhibition
"seeherplay", FB69 Gallery, Münster
February – May 2019
solo exhibition
"Spektrum", FB69 Gallery, Münster
2018
solo exhibition
"Spektrum", Galerie Kleefeld, Hamburg
2017 - 2018
group exhibition
"Look up to the Sky and see", FB69 Gallery, Münster
"Vagina outta space" 3x 50cm x 70cm
Charlotte Wielage, born in Lingen (Ems) in 1988, is a graduate designer (Dipl. Designer) who has studied and worked in Bielefeld, Darmstadt, Kauaʻi (Hawaii), The Hague (Netherland) and Hamburg.
In oil painting, glazing is a classic technique to give images transparency and depth. Here, color is applied layer by layer. The Spektrum series reinterprets this traditional style of painting, which uses industrially manufactured, everyday and non-art materials such as tape and felt-tip pens. As with the glaze, a painted adhesive tape was applied strip by strip, parallel, crossed, past each other, aptly. The layering creates new colors and depths at the nodes as well as small bubbles under the adhesive strips. This gives the picture a luminous and haptic dimension – the surface becomes plastic.